Paradise

on god WE ALL loved Azuma's moans

I came into this game with high hopes, since the setting and plot looked really interesting, but I had a hard time finishing it. I'm usually pretty resilient when it comes to messed up themes, and I thought I knew what to expect, having already played plenty of BLVNs in that vein before. But this one in particular made me extremely uncomfortable, especially when it came to [spoiler]Matsuda[/spoiler]'s route. [spoiler]The abuse aspect of his route being portrayed so realistically, only to be weirdly romanticized at the end, was a jarring juxtaposition that left a really bad taste in my mouth. There was such an interesting base to explore the "guy who seems perfect on the outside but turns into a tyrant when put in charge of a group of people in extremely dire circumstances", but the "good" ending really undermined it for me. Definitely wasn't a fan of the MC suddenly doing a 180 and falling in love with his abuser out of nowhere, despite the entire route making it clear that he hates it and Matsuda never giving him a single reason to change his mind, just so they could call it a "happy" ending.[/spoiler] I definitely wouldn't recommend this game unless you know exactly what you'r…

For DLC stuff please look onto the JAST website because I was kind of expecting it to already have the full experience with the content and it kind of wasn't what I expected. However, the story is super rich and the endings are really fufilling.

I think it's better to go in with no expectations. The premise is fine and all, you start getting invested in the mystery that is being sold to you, only to end up with something that's rather disappointing. I'll start off by saying that the MC is dumb as rocks, I've rarely come across a protagonist with as few braincells as him. The game itself mentions it at times: he's dumb. He has no survival instinct. His backstory serves no purpose. He's not perceptive - any other MC would've figured out what's going on by the time the first week went by. When it comes to Mitsugi, the enemies to lovers trope was interesting enough, but sadly the chemistry wasn't there (personally). I don't understand why they had this carnal desire for one another. His route ends up stale, and if you went for him first, you move on to Matsuda's route. Matsuda's route was rather well-executed up until the last third of it (if not the latter half overall). Matsuda's psychological state was engaging, but "that" 20 minutes long scene in the patch honestly ruined it. I think out of all routes, the MC was at his dumbest there. Dumb is one thing, downright frustrating is another. [spoiler]And maybe because T…

先总结，我给大大大大大大大大大大好评，这10个大里面3个大是给吾妻这个角色的2个大是给三木这个角色的其他5个都是给刺草nettle的。这刺草太能叫了，这声音到底怎么发出来的谁能给我解释一下，叫的我每次都大脑皮层痒痒的陷入沉思了，我的大脑一直在被迫思考他的每一个音色都是怎么挤出来，而且他叫的实在太长太长了，我感觉他每次开头叫两句就顶上Aoba叫一整场了，我玩这个游戏一半时间都在保存语音保存语音后面我都懒得存了每一句都想存每一句都有太多的音色变化而且叫的太持久了，嗓子真好啊！ 现在来正经测评。首先我相当喜欢Azuma这个主角儿，在黑深残背景里面居然能用真正的生命力让人感到玩这个游戏心情是非常轻松的。而且他的生命力是有来由的，不是来自一种所谓“笨蛋犬系少年感”的设定。他的轻松感甚至直接来自于他受过虐待的人生经历，那是他内化到性格中的防御机制；这个经历和岛上求生以及感情戏都有合理的关系，这一点圆的挺不错的，把作品的主视角立起来作品就不会很差。然后再说三个主线攻略角色三木松田跟高良。我觉得Mitsugi跟马自达都是很好的角色，其中Mitsugi这个角色让我很震惊就是我想知道一个galgame中甚至于整个二次元商业洪流中怎么会有这么，正常的人。。。然后我对于true end在高良线其实是又一点残念的。不是说他不好啊，而是他那条线作为收官线不够震撼。三木跟松田都是都是摸不着头脑被带过来然后跟吾妻一起求生的，跟吾妻一样都是砧板上的鱼肉随时会死。不管是三木那样在求生当中跟吾妻这个被abuse过的人在一块激发出了一种非常健康的施虐欲望还是说像松田喜欢对他用拳头但是意外的也能激发求生欲和生命力，反正这两种都是挺不错的体验。这两个人都成功地在和吾妻享有共同的脆弱的同时刻意地维持权力的对等。高良线是高良站在高处，其他两个人是把命都给他虽然可能他们也有疯狂和占有欲但是那是求生欲和性张力的来源，这个高良其实就是施舍说你把我心结解开了你愿意爱我那我不弄你了的一种施舍，我觉得分量不一样。他不挨饿、不受伤、没有生存压力。他看着azuma痛苦挣扎，最后吾妻还得像解谜一样去解开他内心的“结”。然后你就得面对一个小矮子天天在那说其实很想吃掉你但是现在发现真的爱上你了吃了你就没有你了，，，，，，，把这层中二病娇的滤镜扒掉之后，这个角色的内核确实就只剩下猎奇了。 然后就是三木线独特在哪，独特在于这两个人极度地疯狂和失控甚至相互厌恶但是这个过程当中包括他们后日谈一起生活了居然能在日常的基础之上保持这种疯狂。两个人像齿轮一样狂热地互相倾轧的同时，遇到天塌下来还能够瞬间放弃名誉自由生命去让对方活，，，，牛逼啊这条线写的。主要的一个残念就在于，岛田失踪了那里岛上只剩下松田，木户，本乡跟高良了，其实我说实话这个时候松田跟三木包括吾妻都应该能知道本乡和高良不对的，但是还是为了你必须去打真相线（和高良小伙…

why hello there mitsugi