Death Live

So, smiling..

Death Live is not a game, it's an e-book that's been dumped on Steam masquerading as a game. As a visual/interactive novel, this doesn't feature any notable gameplay, it's just a lot of clicking through badly written dialogue that would never have been accepted or published in print, which poses the question, "How did something this badly written end up on Steam?". When someone hoping to become an author is unable to get published in print, they spend $100 and dump their high school fan-fiction onto Steam, under the guise of a game. This e-book was slapped together with a godawfully bad Unity based Visual Novel/E-Book construction kit, so just like no professional writing took place here, no professional game development took place either, it's just a product of filling out templates in the construction kit. The artwork is likewise also asset flipped/slapped together with an Anime character image creator. There's no English translation for the E-Book, but that's ok. It turns out, the language of bad writing is universal. This e-book features a collection of badly written Chinese short stories about life and death, faithfully ripping off Japanese art styles for profit. Well, …

Games are good games, but the plot is great, but the plot is too short

会让你反思的作品

Death Live is a story-driven visual novel developed by 橘子班 and published by NVLMaker that explores mortality, emotional isolation, and the darker side of human curiosity through a collection of interconnected narratives. Rather than focusing on action or traditional gameplay mechanics, the title relies on atmosphere, character perspectives, and philosophical themes to create an experience that encourages reflection long after the credits roll. Its premise may initially appear supernatural, but beneath the surface lies a thoughtful examination of modern society and the way people interact with tragedy, fame, and personal fulfillment. The main storyline follows Chen Mo, an internet celebrity who possesses the extraordinary ability to enter the bodies of the deceased and witness their final moments. Instead of treating this gift as a burden, he transforms it into a source of popularity by sharing these experiences with an online audience. This unusual concept allows the narrative to explore the ethics of turning suffering into entertainment while also commenting on society's growing fascination with sensational content. As the story develops, Chen Mo is forced into situations that ch…

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