Good Morning (2018)

Bizarre and half baked asset mishmash, with disturbing undertones. That's about the nicest thing I can say for Good Morning. Running around shooting static and the odd animated characters is only fun for so long, then you make the mistake to start exploring. Across from your house is a neo-nazi compound, complete with Imperial Eagle symbols everywhere and armbands on the SS stylized location specific NPCs. Two blocks behind your house is a school, which you can choose to shoot up or not...the kids never react beyond holding their hands on top of their heads if you're armed upon entering. Last but not least, an apparently forever walled off section outside the city contains a compound eerily similar to that of the Branch Davidians of Waco Siege fame. Oh, there's also the odd barn jammed with people locked in cages and a few heroin hawking priests. Ignoring all of the above, the game dies after you kill a half dozen enemies thanks to NPC bodies and blood never disappearing. It'll happily spawn in a few hundred cops during a police station siege, never mind your game is now running at 5 FPS and utterly unplayable. Considering the developer of this has an interesting habit of never …

Good Morning is an unusual indie sandbox game developed and published by Nicholas Rizzo that revolves around a deceptively simple premise: an average man wakes up one day and decides he no longer wants to follow society's expectations. Instead of guiding players through a carefully scripted narrative, the game hands them a city filled with opportunities and leaves them to determine what kind of life they want to lead. This open-ended approach immediately sets the tone for the experience, positioning Good Morning as a title that values freedom above all else. Whether players choose to pursue honest work, become involved in criminal activities, or simply wander the environment searching for secrets, the game consistently encourages experimentation. The most notable aspect of Good Morning is the sheer breadth of ideas packed into its design. It combines life simulation, RPG progression, exploration, action mechanics, and sandbox elements into a single package. Players can earn money through various means, acquire weapons, interact with NPCs, and uncover hidden content scattered throughout the world. The game's concept is clearly inspired by the notion of creating one's own story rath…

This is just another trash "game" infesting Steam. Being in Early Access is not an excuse since it was released 8 years ago in 2018.

This game was good in the first couple months to a year of downloading and playing. Looking back, this game is just edgy for the sake of it. Opportunities to hunt slaves and/or sell drugs, a priest who sells heroin and weed from the collection basket, literal Nazis dressed in ♥♥♥♥♥♥ remakes of Waffen SS uniforms, it goes on and on. HATRED is an edgy game and its edgy as a middle finger to censorship in the gaming industry, GTA IV & V are edgy for the sake of comedy and DON'T CANONICALLY MAKE RANDOM NPCS ♥♥♥♥♥♥♥ NAZIS. This game is the embodiment of "GTA at home." Except it's garbage, made by someone with no idea how to code without bugs, low poly, edgier than both "Kim" & "Stan" by Eminem COMBINED (no disrespect to Eminem though, those songs are edgy and work because they're actually catchy), and obviously a ♥♥♥♥♥♥♥ cash grab. Did I mention that half the ♥♥♥♥ that's not 12-year-old-edgy funny on playthrough #1 is just shock value from how out-of-left-field unexpected it is? Yeah some kid on a swing tells you that he'll pay you to kill a kid who took his treehouse, calling the kid a ♥♥♥♥. Remember when I said the dev had no idea how to code? Yeah, everything is buggy as ♥♥♥♥. The ph…

Yeah... No

this game is sucks